- #How much does adobe after effects cs5 cost movie
- #How much does adobe after effects cs5 cost update
- #How much does adobe after effects cs5 cost software
- #How much does adobe after effects cs5 cost windows
"But will not even import correctly to After Effects CS4."Īdobe says this is not a triviality. I use several of these, SynthEyes for stabilizing and match-moving worth to mention. I think it is important to distinguish between an NLE and a special effects program. When I am done, it is back to Vegas again. I use After Effects to do "surgery" on my videos, special operations. I am sure Premier is fine, but as long as Vegas does the job.
#How much does adobe after effects cs5 cost windows
Vegas is so fast and logic to use, it takes advantage of all the Windows special features (I am used to Windows, not Mac), so I can hardly see that I will switch. I have Sony Vegas and do not intend to switch to Premiere (I have the whole CS4 Production Premium).
#How much does adobe after effects cs5 cost movie
If the import issues were to be solved I would switch to AE in an instant.īut the prospect of having to pre-convert all footage is so time-consumingįirst, Vegas is the same as Adobe Premiere, an NLE for video / movie making. But will not even import correctly to After Effects CS4. the constant hunt for supporting the latest video formats IMO costs a lot of resources and effort that potentially could be spent otherwise. If you get my meaning - as much as AE is ahead in this game, it ultimately also turns into a disadvantage. If AE wasn't so integrated with Premiere, would you even care for trying this? Other competing programs certainly don't - combustion*, Fusion, Nuke and even Motion do not accept anything other than image sequences or Quicktime files instead of offering native support. And of course for compositing in the strictest sense one could still argue that support for such formats is non-essential as comparing compositing tools to mere editing programs is not exaxctly fair. Formats these days come and go quicker than you can make up your mind about them. Beyond that I'd be careful with predictions. I think that because of growing availability of almost infinite amounts of storage at low prices, even for hobbyists and semi-pros at some point RAW recording becomes a viable option, or at least only relying on binary compression, not destructive reduction of the actual image content. Mmh, I'm not sure if AVCHD, even its "Pro" flavor, is really the format of the future.
#How much does adobe after effects cs5 cost update
I hope that in the very near future when I click the update button in After Effects that a fix will be downloaded which will make AE support also the Panasonic AVCHD files. Sony Creative's Vegas 9.0 came in May, and since then has become 2 updates, which among other things improve AVCHD performance. I guess Panasonic itself would be the first to assist here. To make Adobe support the particular AVCHD settings that Panasonic uses hardly requires "a hundred people", since Sony Creative, Edius etc. This compression format has several parameters. This is not about "any camera model" but the upcoming and soon to become ubiquitous AVCHD compression format. Even a big one like Adobe has a limited budget for that and, lest we forget, even if they could buy it all, they'd not hire a hundred extra people just to test it.
#How much does adobe after effects cs5 cost software
That aside, one should not expect a software vendor to automatically have access to any camera model, latest computer or whatever. How do I do this?Īnyhows - I had thought Adobe already have access to such files, this camera is all over now, very popular. Fix this issue please, I do not want to transcode and introduce more artifacts than I already have in the compressed AVCHD files, I want to use my MTS files as is. Or at least come up with some sort of a workaround or utility that will fix the problem. I hope Adobe will issue an update to fix this. I really do not want to wait for CS 5 to be able to use MTS files directly. In Cs4 Production Premium, which costs 7 times more, I cannot edit AVCHD.
In Sony Vegas, my favorite NLE, I edit AVCHD right off the camera. First 5 seconds fine, the rest just a mess. When sliding the work area on the timeline, I observe the same phenomenon. The first 5 seconds playback is perfect, then it starts to hop back and forth. I make a new comp in AE and add this clip to the timeline.
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